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Painting Bronze Age plaster from Thebes Boeotia

Αntonis Vlavogilakis (GR)
A series of experiments were conducted to study an unusual mortar mixture identified by Brysbaert (2008a) in plaster fragments found in Thebes, Boeotia. The mixture was very interesting in its composition, containing unusual aggregates such as crushed seashells and bone. The techniques used in the samples are...

Book Review: Egyptology in the Present: Experiential and Experimental Methods in Archaeology by C. Graves-Brown (Ed)

SJ Harris (RSA)
The eye-catching and colourful cover illustration of the Egyptian creator-God Ptah, fully-equipped with modern toolkit, promises an informative journey into experiential and experimental archaeology in Egyptology...

Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

Jelena Anđelković Grašar and
Milica Tapavički-Ilić (RS)
OpenArch Special Digest 2015 Issue 2
***During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or sometimes individuals...

Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment

Μ.Ι. Stefanakis,
Α. Vlavogilakis (GR)
Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...
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