Greece

An Experimental Diachronic Exploration of Patination Methodology of Dark Patinated (Arsenical) Copper Alloys on Case Studies from the Eastern Mediterranean Bronze Age and Early Iron Age

Author(s)
Marianne Talma 1
Publication Date

Artificially dark patinated copper alloys appear in various times and regions and are commonly applied in prestigious polychrome metallic objects. Currently, the earliest finds known are from ca. 2000 BC in Egypt (See Fig. 1) and Palestine (See Fig. 2), followed by ca. 1500 BC in Greece and Cyprus (See Fig. 3 and 4) and again during the Roman period from ca. the late 4th century BC (See Fig. 5 and 6). 

Painting Bronze Age Plaster from Thebes Boeotia

Author(s)
Αntonis Vlavogilakis 1
Publication Date

The premise

The author is currently studying for a PhD in experimental archaeology at the University of the Aegean. The focus of the research involves the recreation of a 4th Century B.C. wall painting (Tomb of Persephone, Vergina) using the same pigments and painting method that was used by the ancient painter. In this project, we sought to identify the painting technique used, and wanted to demonstrate the way in which the wall was painted. The technique that was used in the tomb is a variation of the fresco technique, which is why we examined similar methods.

A Minoan Experimental House – Paying Tribute to Middle Bronze Age Cretan Vernacular Architecture

Author(s)
Sabine Beckmann 1
Publication Date

Prototypes, situation, general description

Especially impressive are the often massive ruins of dwelling foundations referred to as 'oncolithic' in my typology (for details see Beckmann 2012a).These foundations neutralize the often steep slope incline they are built upon, so that the original houses would have stood in a horizontal position. The settlement pattern and surface findings indicate that these installations were vernacular in character and probably housed mixed agricultural farms (ibid.).

Spyros Bakas MA

Member of EXARC since
Country
Greece
Crafts & Skills

Spyros Bakas is among the first to introduce and promote Living History in Greece in 2002. Since then, he has participated, organised and directed numerous Experimental Archaeology as well as Living History projects in Greece and worldwide.

Museum Theatre in Greece: Perspectives in Site Interpretation

Author(s)
Foteini Venieri 1,2,3 ✉,
Niki Nikonanou 4
Publication Date

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).

Interview: the Association of Historical Studies Koryvantes

Author(s)
Márta Pócza 1
Publication Date
“The Koryvantes Association was founded in 2009 by people with a background in the study of ancient Greek warfare who were not satisfied by the level of reconstructions undertaken so far in Greece and internationally and who wished to ultimately adopt a framework based on experimental archaeological methodology...

Book Review: "Experiments Past" Edited by Jodi Reeves Flores & Roeland P. Paardekooper

Author(s)
Clara Masriera i Esquerra 1
Publication Date
The publication in 1979 of the John Coles’ book Experimental Archaeology can be called the vademecum of the experimental archaeology. Many particular experiments have been published since then, such as A Bibliography of Replicative Experiments in Archaeology (Graham et al. 1972) and...

Book Review: Reconstructing Ancient Linen Body Armour by Gregory S Aldrete, Scott Bartell and Alicia Aldrete

Author(s)
Steve Wilson 1
Publication Date

Everyone knows that the Ancient Greeks wore bronze armour. Examples have been excavated, mentioned in the literature and depicted on vases, statues et cetera. But there is also mention of something they called 'linothorax': literally, 'linen chest', meaning linen armour for the chest...