Paläotechnik offers ancient technology expertise since 1996. The main focus is on indigenous and prehistoric skin processing technology, including related fields like bone, antler and ivory technology.
My current research project involves the use of archaeometry and experimental archaeology in order to better understand Neolithic and Chalcolithic pottery technology in central and Northern Italy. In my spare time I also enjoy flint knapping (badly!)
Experimental archaeology plays an important role in the Archaeological Studies program at The State University of New York at Potsdam (aka SUNY Potsdam). We are small teaching focused undergraduate institution located in the northern most region of New York State, USA.
Our faculty teach a wide variety of archaeological courses spanning time and space. We incorporate experimental and experiential archaeology into our teaching and scholarship in many different ways. In addition to a free-standing course in Experimental Archaeology, experimental and experiential activities are incorporated throughout the curriculum. For instance, students develop and carryout stone boiling experiments, prepare hickory nut soup and practice flint-knapping and traditional fire-making techniques as a regular part of their archeological course work.
Following the Potter’s Wheel Conference in November, we will have a potter’s chat open to anybody. Discussion is open about any pottery related subject, wheel throwing, clays, ethnography, but also pottery trade, using ceramics, breakage and their archaeology.
I am a curator of the prehistory collections of the National Museum of Archeology of Catalonia (Barcelona) and associate lecturer at the Autonomous University of Barcelona where I teach subjects related to technology from an experimental point of view.
Research over the past century has demonstrated woven textiles played an important role in Mesoamerica from the Classic period (AD 250-900) through contemporary cultures.
As a national center for learning about and promoting Ainu history and culture, Upopoy (National Ainu Museum and Park) (ウポポイ(民族共生象徴空間）) enables people of all nationalities and ages to learn about the Ainu’s worldview and respect for nature. It also acts as a symbol of a society based on mutual respect and coexistence, passing on and sharing various aspects of Ainu culture, which has developed over many years and is influenced by the surrounding nature.
The Ainu are an indigenous people in the northern region of the Japanese archipelago, particularly Hokkaido. The Ainu culture is distinctive, with a language that is unrelated to Japanese, a spirituality that holds that spirits dwell in every part of the natural world, traditional dances that are performed at family events and festivals, and crafts such as wood carving and embroidery that incorporate unique patterns.
As a multifaceted craftsperson I have always been interested in the ''making of" anything really, but more specifically tools, practical objects and decoration. Working with ceramics and incense during my BA ignited more of the interest in experimental archaeology.
This international congress brings together agricultural and rural museum and heritage professionals from around the world to explore and share their work. It is a rare opportunity for agricultural museum professionals and others interested in farming heritage to discuss engagement, research, collections practice, and related activity.
Stichting Erfgoedpark Batavialand
att. EXARC
Postbus 119
8200 AC Lelystad
the Netherlands
Phone: +(31) 6 40263273
Website: EXARC.net
Email: info@exarc.net
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