interpretation

Event Review: Dark Ages Recreation Company at L’Anse aux Meadows, NHSC 2017

Author(s)
Neil Peterson 1 ✉,
Karen Davidson 2,
M. Burnham 2,
K. Burnham 2
Publication Date

Lying at the extreme northern tip of Newfoundland, L'Anse aux Meadows represents the only widely accepted Viking-Era presence in North America.  Archaeological remains of seven buildings were found at the site, along with a few minor artefacts including a ring-headed pin, glass bead, and drop-spindle whorl.  Evidence of on-site work was also found in the form of iron slag, discarded ship rivets, and axe-hewn wood chips.  Four of the seven buildings were reconstructed by Parks Canada.  Since 1997, these have been staffed by costumed interpreters who blend first- and third

Reconstruction of the Ancient Greek Long Jump - an Opportunity for Multidisciplinary Collaboration

Author(s)
Hannah Friedman 1 ✉,
Peter J. Miller 2
Publication Date
The Games of the XXXI Olympiad – the Summer Olympics in Rio de Janeiro, Brazil (5 August to 21 August, 2016) – continued the long tradition of Olympic sports, which began in ancient Greece (circa 776 BCE), and were heavily modified in their re-creation by the International Olympic Committee...

A Broken Leg in the Year 1350: Treatment and Prognosis

Author(s)
Wiel van der Mark 1
Publication Date
It is the year 1350 in Gravendam (the medieval town of the archaeological open-air museum, (AOAM) Archeon, in the Netherlands). Master Roelof, a wood-and-bone processor, lies unconscious on the stone floor. Shortly before this, he had been climbing the ladder to the attic to grab a log of wood, but it slipped from under him and he ended on the floor...

Interpretation

Presenting and explaining the meaning of something to make it easier to understand.

Interpreting the Interpreter: is Live Historical Interpretation Theatre at National Museums and Historic Sites Theatre?

Author(s)
Ashlee Beattie 1
Publication Date

Presenting the Discussion

The majority of the people Scott Magelssen interviewed were museum curators and historical interpreters, and their answers were broken up into three main categories:

1. No (mainly because there is no script), 2. Yes, it is a form of theatre, 3. Of course it is theatre. (Magelssen 106-119)

“You could See it [the Past] in your Mind”: What Impact might Living History Performance Have on the Historical Consciousness of Young People?

Author(s)
Ceri Jones 1
Publication Date

Combining theoretical perspectives with two case studies carried out in 2008 with British students aged from 10-17 years old, this paper will explore how living history might contribute to the development of young people’s historical consciousness and help them to cope with the social and cultural differences which confront them when learning about the past. In particular, it will focus on the effectiveness of first- and third-person interpretation.

Crafting the Past: Theory and Practice of Museums

Author(s)
Katherine Ambry Linhein Muller 1
Publication Date
How do we know something is real? We say something exists when it is tangible and we can touch it; it is factual when we can compare it to other known variables, and historic when it fulfils our expectation of the past. There are objects and activities that blur these categories and cause people to accept alternative histories...

International Learning Partnership: Living History and Adult Education in the Museum

Author(s)
Susanne Wiermann 1
Publication Date
Many archaeological open-air museums and museums with indoor reconstructions choose to interpret history using the method of ‘living history’, or re-enactments. If one only counts the German references, there is wide variety of terms used by museums when they talk of ‘living history’...