ethnoarchaeology
Experimental Recreation of a Pumpkin (Cucurbita spp.) Leather Mat
Can Experimental Archaeology Confirm Ethnographic Evidence? The Case of Aboriginal Boomerangs Used as Retouchers
Experimenting with the Ancient Greek Pottery Production Process from Clay Selection to Firing in a (Re)constructed Updraft Kiln
Introduction
This experimental project aimed to reproduce the Hellenistic (fourth-third century BC) Greek pottery production process. The project was conducted by the authors, Francesca Tomei, PhD graduate in Archaeology at the University of Liverpool, and Juan Ignacio Jimenez Rivero, a ceramist specializing in replicating ancient pottery technology, who frequently collaborates with the Department of Classics, Ancient History, Archaeology and Egyptology, University of Manchester, on ceramic experimental archaeology projects and activities.
An Experimental Approach to Assessing the Tempering and Firing of Local Pottery Production in Nubia during the New Kingdom Period
Introduction
Ceramologists usually apply the term style to describe the set of visual (i.e., decorative and morphometric) attributes of a ceramic object (see, e.g., Rice, 2015, pp. 388-410). The term fabric is mainly employed in petrographic and technological studies to indicate the physical characteristics of the material (i.e., clay paste composition) a pot is made from ( Nordström and Bourriau, 1993, p. 162).