bronze

Replica of the Knife 2165 found in Flixborough a Late Anglo-Saxon Period Knife with an Inlay of Twisted Bronze and Silver Wires

Mauro Fiorentini (IT)
This work aims to show the reconstruction of a medieval era knife that was found in Flixborough, Lincolnshire (UK). Flixborough’s Anglo-Saxon cemetery has returned a total of 11 knives that can be dated between the 8th and the 10th century AD. The specimen discussed here is known as Knife 2165 and was found in context 3417 of the site. This knife is the smallest of the inlaid knives found in Flixborough...

Wives, Queens, Goddesses: Reconstructing the Outfit of a 8th-7th Century BC Picenian Woman

Mauro Fiorentini (IT)
The present work is a reconstruction which was made with two objectives in mind. Thee first was to experiment with heat-treating of amber, a technique already hypothesised by Von Eles (1995), in order to verify possible resin alteration due to heating. Although already tried in the past (Fiorentini, 2018b) after having conducted some cold-working experiments (Fiorentini, 2018a)...

A Seventh Century BC Picenian Cloack Clasp Made of Iron, Bone, Bronze and Amber: Reconstruction of a Masterpiece

Mauro Fiorentini (IT)
This article is dedicated to the reconstruction I’ve done in 2017 of a Picenian cloack clasp which is a pretty unique find. It has been found in a prince’s grave dating back to the early 7th Century b.C. and is considered a rare find because only a few similar items have been found in Central Italy, and because of the rare use of amber decorations and bronze plates, that makes this find a true masterpiece...

An Experimental Diachronic Exploration of Patination Methodology of Dark Patinated (Arsenical) Copper Alloys on Case Studies from the Eastern Mediterranean Bronze Age and Early Iron Age

Marianne Talma (DE)
10th EAC Leiden 2017
***Artificially patinated copper alloys are found archaeologically in polychrome artefacts from the 19th century BC Egypt to historical and contemporary Japan. The unusual colour variations observed in these patinas, ranging from black to blue to purple, is due to a minor amount of gold (Au) and silver (Ag) in their copper matrix, whereas...

Now we’re Cooking with Gas! How Experimental Archaeology Challenges Modern Assumptions about Metal Recycling

E. Giovanna Fregni (IT)
It is accepted knowledge that when re-melting alloys, some of the metal with a lower melting temperature is lost through oxidation, and more metal must be added in order to maintain the desired alloy proportions. In order to understand the changes in alloy content when recycling using Bronze Age technology, experiments were undertaken by the author and others...

Event Review: the Bronze Casting Festival at the Bronzezeithof, Uelsen, Germany

E. Giovanna Fregni (UK)
The first Bronze Casting Festival was held in May 2017 at the Bronzezeithof in Uelsen, Germany. The event was organised by Martijn van Es, who has an active interest in bronze casting and experimental archaeology. A call was put forward to skilled metal workers to come to Uelsen to conduct experiments and...

The Colour Palette of Antique Bronzes: An Experimental Archaeology Project

Jonathan Devogelaere (FR)
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects have a variable percentage of metals, and because of this the colour of the alloy will differ depending on the proportions. The colour of the alloy can be maintained by polishing, but it is also possible to give a patina to the surface of bronze using a reagent...

Getting Hammered: The Use of Experimental Archaeology to Interpret Wear on Late Bronze Age Hammers and Modern replicas

E. Giovanna Fregni (UK)
Metalsmithing tools such as hammers are rarely recognised for their significance in understanding prehistoric metalworking technology. Their development and specialisation signal new metalworking techniques and a wider array of the types of metal objects being made. Our knowledge of ancient metalworking is...