theatre
The Experimenter's Body: Movement as an Artifact
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This paper summarises a part of the discussions carried out in the author's MA in Archaeology at the Federal University of Rio de Janeiro - Brazil. Starting from the question “when the only thing we have is the archaeologist’s body, how can we do archaeology?” We propose to engage with methodologies and theories from the field of Dance to analyse the experimenter’s body in experimental archaeology research...
History in Motion: Colonial Williamsburg
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Boundaries are always an interesting topic. In the framework of the current heritage buzz word decolonization, boundaries might also represent what is “colonised” in every cultural enterprise, or to be more specific, how and why some form of power obtruded its authority, and to what extent. Like almost all other museums, Colonial Williamsburg deals with the past. The past has its own boundaries that...
The Forgotten Movement – A (Re)construction of Prehistoric Dances
Publication Date
10th EAC Leiden 2017
***Dancing has always been and still is an integral part of the lives of individuals and communities around the world, and it forms part of the cultural identity of all traditional societies. Unlike the arguably small role it has in modern urban societies, dance had much greater role in the lives of individuals and communities of ancient and recent past (Maletić, 1986, pp.14, 41), as well as it still has in many of contemporary tribal communities...
***Dancing has always been and still is an integral part of the lives of individuals and communities around the world, and it forms part of the cultural identity of all traditional societies. Unlike the arguably small role it has in modern urban societies, dance had much greater role in the lives of individuals and communities of ancient and recent past (Maletić, 1986, pp.14, 41), as well as it still has in many of contemporary tribal communities...
Book Review: Geschichtstheater. Formen der "Living History" by Wolfgang Hochbruck
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National interest in re-production of history started when the Ethnological Commission of Westphalia called together with Freilichtmuseum Cloppenburg, one of the oldest German open-air museums, a conference on the topic of “Living history in the Museum” in 2007 in Cloppenburg, Niedersachsen. Subsequent conferences made it clear that - apart from predictable doubts about the reliability and quality of the reconstructions of historical life-worlds and events - there was a significant dissonance regarding terminologies.
What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting
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OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...
Museum Theatre in Greece: Perspectives in Site Interpretation
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The paper summarizes preliminary findings of a research project on the use of museum theatre in Greek open-air sites, as a part of a PhD thesis. The research focuses on the exploration of the development, use and function of museum theatre in Greek open-air sites based on available secondary resources and primary research, which included site visits, interviews and data analysis...
Putting on a Show - The How and Why of Historical Shows and Theatre in a Historical Setting or Theme-park
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As long as people have walked the earth, stories have been told; from stories around the campfire told by older people to entertain and educate the young, to 15th century knights dressing up as Romans during themed tournaments. Telling a story is putting on a little show; a show is a great way to tell a story...
Including Spartacus in Archeon by Erik Collinson
Book Review: Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation by Anthony Jackson & Jenny Kidd (eds)
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This useful text brings together recent thinking about museum theatre and the performance of heritage, offering a range of international case studies to its readers as evidence of the discipline’s usefulness in interpreting the past for visitors...
Interpreting the Interpreter: is Live Historical Interpretation Theatre at National Museums and Historic Sites Theatre?
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In his 2007 book, Living History Museums: Undoing History through Performance, Scott Magelssen describes the various reactions to his main line of enquiry: is historical interpretation theatre?
75 Years of History on Concrete Floors
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In 2011 the archaeological open-air museum Oerlinghausen (member of EXARC) turned 75 years old, and with that it is one of the oldest archaeological open-air museums in the world. It is, at least, oldest Germanic open-air museum...