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Reconstruction of the Geometric Décor Technology of the Bronze Age Ceramics in Siberia

Eva Lamina (US)
The grassland and forest steppes ranging from the Ural to the Altai-Sayan mountains were dominated by Andronovo Family cultures during the second millennium BC (the Bronze Age) (Koryakova & Epimakhov 2007; Мартынов 2005). The Andronovo dated ceramic series were characterized by a distinctly expressed geometric ornamentation style...

Book Review: Experimentelle Archäologie in Europa, Bilanz 2012

Thijs Hofland (NL)
According to James Mathieu in 2002, experimental archaeology is “A subfield of archaeological research which employs a number of different methods, techniques, analyses and approaches within the context of a controllable imitative experiment to replicate past phenomena...

The Iron Age Iberian Experimental Pottery Kiln of Verdú, Catalonia, Spain

Ramon Cardona Colell* et allii (CAT)
The goal of this project is to reconstruct the operational sequence of manufacture of Iberian Iron Age pottery, from clay procurement to firing in a reconstructed kiln. Although pottery is the most characteristic artefact recovered on Iberian Iron Age excavations, most of its complex processes and production techniques remain poorly known...

An Experimental Comparison of Impressions Made From Replicated Neolithic Linen and Bronze Age Woollen Textiles on Pottery

Lauren Ferrero (UK)
Textile impressions on pottery provide evidence for fabrics and weaves in areas where the fabrics themselves do not survive. This article argues that the impressions can provide information on the uses of different fibres, the weaving technologies and possible trading or agricultural advances connected with these fibres...

Technical Elements for Etruscan-Padan Kilns Firing and Female Labour Connected to These Tools

Francesca Caresani (IT)
This article presents work connected to the GestiRitrovati project, the association that performs archaeological experiments at the Forcello Archaeological Park (Mn). The aim is to recover archaic customs of Etruscan-Padan pottery production...

Results of a discussion on the state of experimental archaeology in Switzerland

T. Doppler,
S. Osimitz,
K. Schäppi (CH)
On 27 March 2010, the board of the Working Group on Experimental Archaeology in Switzerland (AEAS-GAES) invited a panel of experts to hold a public debate in Olten on whether the incentives that had existed at the time still played their part, how they were now constituted and what the future perspectives were...

Scandinavian Iron Age and Early Medieval Ceramic Moulds - Lost Wax or Not or Both?

Anders Söderberg (SE)
1999 Wilhelminaoord Workshop
***Since the 1940s we have had a discussion in Scandinavia concerning ancient mould-making methods. The question of different methods in the production of ceramic moulds has taken a large part in these discussions; by lost wax or by direct matrix-methods.

A field trip to the Ukraine, April 2010

Roeland Paardekooper (NL)
In April 2010, a conference took place at Olevsk, which was a good occasion to go to Kyiv and meet Dr Andrey Petrauskas of the Institute of Archaeology of the National Ukrainian Academy of Sciences. The main purpose of the visit was to discuss the plans for reconstructions at three archaeological sites, to set it in perspective of other reconstructions elsewhere...

Probable Measure Estimating Tool Employed by the Aeneolithic Potters

Eva Lamina (US)
The article proposes that an item, ornamented with a geometric pattern with inscribed diagonal cross and attributed to the Afanasievo culture (Aeneolithic, South Siberia), represents a primitive tool reflecting practical knowledge of basic geometry by the ancient potters. The article suggests an experimental reconstruction method for crafting the proposed instrument, and...

Conference: Reconstructive and Experimental Archaeology 2011 (RE-ARC)

Mark Butler (US)

The second annual Reconstructive and Experimental Archaeology Conference was held at the Schiele Museum of Natural History, Gastonia, NC, 16-17 October, 2011 and was attended by over 50 participants representing at least 10 states, two countries and an unknown number of general museum visitors...

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