painting

Experiments on Painting Viking Age Woodwork

Author(s)
Nanna Friis Hellström 1 ✉,
Anna Vebæk Gelskov 1,
Sofie Louise Andersen 1,
Henriette Lyngstrøm 1
Publication Date
EXARC Journal Issue 2024/1
Traditionally, studies on Viking Age pigmentation have focused on the minerals used to produce colours. The research conducted in this article concerns other factors, that might have influenced painted wood such as surface treatments, outlines, and paint components...

Making the Book of Kells

Author(s)
Thomas Keyes 1 ✉
Publication Date
EXARC Journal Issue 2022/4
This article gives a brief history of the context of the Book of Kells before summarising recent research into its material makeup. It then goes on to introduce a possible site of production that has been excavated in the Scottish Highlands, before introducing a project to recreate a folio from the manuscript as an experimental archaeology project.

Experiments with Lime Mortars containing Charcoal and Ashes

Author(s)
Αntonis Vlavogilakis 1 ✉
Publication Date
EXARC Journal Issue 2022/1
We encountered a number of cases in the published archaeological studies where ashes and charcoal were used as aggregates in ancient lime mixtures. These mixtures were tested in a small number of experiments, and this paper presents the results. Our tests confirmed that charcoal retains moisture and can be used to help mortars retain water. It does not, however...

Fresco Mixtures with Dried Lime Plaster: Cameron’s Experiments Revisited

Author(s)
Αntonis Vlavogilakis 1 ✉
Publication Date
EXARC Journal Issue 2021/2

During the Bronze Age, craftspeople of the eastern Mediterranean reused fragments of mortars as aggregates in lime mixtures. In the 1970s, Mark Cameron experimented with the techniques of Minoan fresco preparing and painting. His experiments showed that it is possible to create mortar by mixing lime plaster with dried powdered lime plaster, and by mixing dried powdered lime plaster with water...

Painting Bronze Age Plaster from Thebes Boeotia

Author(s)
Αntonis Vlavogilakis 1 ✉
Publication Date
EXARC Journal Issue 2017/1
A series of experiments were conducted to study an unusual mortar mixture identified by Brysbaert (2008a) in plaster fragments found in Thebes, Boeotia. The mixture was very interesting in its composition, containing unusual aggregates such as crushed seashells and bone. The techniques used in the samples are...

Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

Author(s)
Jelena Anđelković Grašar 1 ✉,
Milica Tapavički-Ilić 1
Publication Date
EXARC Journal Issue 2015/2
OpenArch Special Digest 2015 Issue 2
***During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or...

Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment

Author(s)
Manolis I. Stefanakis 1,
Αntonis Vlavogilakis 2 ✉
Publication Date
EXARC Journal Issue 2014/1
Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...