painting

Experiments on Painting Viking Age Woodwork

Author(s)
Nanna Friis Hellström 1 ✉,
Anna Vebæk Gelskov 1,
Sofie Louise Andersen 1,
Henriette Lyngstrøm 1
Publication Date
Traditionally, studies on Viking Age pigmentation have focused on the minerals used to produce colours. The research conducted in this article concerns other factors, that might have influenced painted wood such as surface treatments, outlines, and paint components...

Making the Book of Kells

Author(s)
Thomas Keyes 1
Publication Date
This article gives a brief history of the context of the Book of Kells before summarising recent research into its material makeup. It then goes on to introduce a possible site of production that has been excavated in the Scottish Highlands, before introducing a project to recreate a folio from the manuscript as an experimental archaeology project.

Experiments with Lime Mortars containing Charcoal and Ashes

Author(s)
Αntonis Vlavogilakis 1
Publication Date

Introduction

While researching ancient lime mortar technology, we encountered a number of cases in published archaeological studies that refer to the use of ashes and charcoal as aggregates in mixtures. These mixtures were tested in a small number of experiments, and this paper presents the results.

Fresco Mixtures with Dried Lime Plaster: Cameron’s Experiments Revisited

Author(s)
Αntonis Vlavogilakis 1
Publication Date

Introduction

During the Bronze Age, the craftspeople of the eastern Mediterranean practiced a form of reuse or recycling: fragments of mortar were used as aggregates in lime mixtures intended for walls or floors (Shaw, 1973, p.222; Brysbaert, 2003, pp.168-173, pp.175-176; Jones, 2005, p.220; Brysbaert, 2008, p.118). Such a mixture was found in a house in the Akrotiri settlement of Santorini, in a part of the wall that was intended to be painted (Jones, 2005, p.220).

Painting Bronze Age Plaster from Thebes Boeotia

Author(s)
Αntonis Vlavogilakis 1
Publication Date

The premise

The author is currently studying for a PhD in experimental archaeology at the University of the Aegean. The focus of the research involves the recreation of a 4th Century B.C. wall painting (Tomb of Persephone, Vergina) using the same pigments and painting method that was used by the ancient painter. In this project, we sought to identify the painting technique used, and wanted to demonstrate the way in which the wall was painted. The technique that was used in the tomb is a variation of the fresco technique, which is why we examined similar methods.

Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment

Author(s)
Manolis I. Stefanakis 1,
Αntonis Vlavogilakis 2
Publication Date
Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...