painting
Experiments on Painting Viking Age Woodwork
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Traditionally, studies on Viking Age pigmentation have focused on the minerals used to produce colours. The research conducted in this article concerns other factors, that might have influenced painted wood such as surface treatments, outlines, and paint components...
The Making of Roman Metal Ink Pen Nibs
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Roman ink pen nibs have been made from different materials such as bone, horn, reed, iron, and copper alloys. This article deals with experiments to reproduce Roman ink pen nibs made from copper alloy and iron.
Making the Book of Kells
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This article gives a brief history of the context of the Book of Kells before summarising recent research into its material makeup. It then goes on to introduce a possible site of production that has been excavated in the Scottish Highlands, before introducing a project to recreate a folio from the manuscript as an experimental archaeology project.
Experiments with Lime Mortars containing Charcoal and Ashes
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We encountered a number of cases in the published archaeological studies where ashes and charcoal were used as aggregates in ancient lime mixtures. These mixtures were tested in a small number of experiments, and this paper presents the results. Our tests confirmed that charcoal retains moisture and can be used to help mortars retain water...
Fresco Mixtures with Dried Lime Plaster: Cameron’s Experiments Revisited
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Introduction
During the Bronze Age, the craftspeople of the eastern Mediterranean practiced a form of reuse or recycling: fragments of mortar were used as aggregates in lime mixtures intended for walls or floors (Shaw, 1973, p.222; Brysbaert, 2003, pp.168-173, pp.175-176; Jones, 2005, p.220; Brysbaert, 2008, p.118). Such a mixture was found in a house in the Akrotiri settlement of Santorini, in a part of the wall that was intended to be painted (Jones, 2005, p.220).
Painting Bronze Age Plaster from Thebes Boeotia
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A series of experiments were conducted to study an unusual mortar mixture identified by Brysbaert (2008a) in plaster fragments found in Thebes, Boeotia (Her study of the samples mentioned in the article included investigation by X-ray diffraction, stereo, reflected light and scanning electron microscopy, laser-induced breakdown spectrometry, micro-Raman spectroscopy and macroscopic study.)...
Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
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During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or sometimes individuals...
Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment
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Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...