jewellery

Wives, Queens, Goddesses: Reconstructing the Outfit of a 8th-7th Century BC Picenian Woman

Mauro Fiorentini (IT)
The present work is a reconstruction which was made with two objectives in mind. Thee first was to experiment with heat-treating of amber, a technique already hypothesised by Von Eles (1995), in order to verify possible resin alteration due to heating. Although already tried in the past (Fiorentini, 2018b) after having conducted some cold-working experiments (Fiorentini, 2018a)...

Viking Jewellery Mould Making. Experimental and Reconstructive Aspects

Anders Söderberg (SE)
Craftsmanship relies upon the silent knowledge of the skilled experience of the creative workings of the hands, a knowledge that is difficult to convert to written characters without creating a blur of words that make very little sense. Theoretical reasoning lacks the dialogue with, and the resistance from, the raw material. Making up a picture of how wax, clay and metal would behave without practical experience of them is...

Book Review: Menswear of the Lombards. Reflections in the Light of Archaeology, Iconography and Written Sources

Rena Maguire (UK)
Recent archaeological adventures in the beautiful Friulian region of Northern Italy had introduced me to the history of the Langobards, a Germanic people who settled in the Adriatic during the 6th century AD after a long period of southerly migration from the German/Scandinavian Baltic area...

Jewellery

Articles worn for personal adornment, for example bracelets, necklaces, brooches and rings.
Definition source: Chambers 21st Century Dictionary

Book Review: Experimentelle Archäologie in Europa, Bilanz 2012

Thijs Hofland (NL)
Annual Proceedings of the EXAR Tagung
***According to James Mathieu in 2002, experimental archaeology is “A subfield of archaeological research which employs a number of different methods, techniques, analyses and approaches within the context of a controllable imitative experiment to replicate past phenomena...

Scandinavian Iron Age and Early Medieval Ceramic Moulds - Lost Wax or Not or Both?

Anders Söderberg (SE)
1999 Wilhelminaoord Workshop
***Since the 1940s we have had a discussion in Scandinavia concerning ancient mould-making methods. The question of different methods in the production of ceramic moulds has taken a large part in these discussions; by lost wax or by direct matrix-methods...

How Metallographic Examinations Can Give the Forming Process of Metal Artefacts? The Example of the Hoard of Farébersviller

Cécile Veber and
Michel Pernot (FR)
1999 Wilhelminaoord Workshop
***The hoard of Farébersviller (Moselle, France) was discovered in 1991 during rescue excavations (See Image above). This set contains 130 "bronze" artifacts, which date to the Late Bronze Age (8th century BC)...

Precision Lost Wax Casting

Nigel Meeks (UK),
Caroline Tulp (NL) and
Anders Söderberg (SE)
1999 Wilhelminaoord Workshop
***The limits of precision casting were explored experimentally at the Bronze Casting Workshop at Wilhelminaoord, the Netherlands, by making wax models, moulds and lost wax castings using essentially early metalworking conditions. Geometrically patterned models of Dark Age type dies were used to...