copper

Shedding New Light on the Pure Copper Metallurgy of the Chalcolithic Southern Levant Through an Archaeological Experiment

Thomas Rose (IT/IL),
Peter Fabian and
Yuval Goren (IL)
Two metallurgical traditions coexisted in the Chalcolithic Southern Levant: the lost wax casting of polymetallic alloys and the pure copper technology. Details of their operational sequences are still unknown. To date, no production sites of lost wax casting technology have been found. Only the main steps of the pure copper technology can be reconstructed from the archaeological record...

Irish Copper Axe-Ingots Recovered in Brittany: Experimental Casting to Recreate Porous Material

Aurélien Burlot (IE)
The present study discusses the casting of copper axe-ingots in open, wet sand moulds, in an attempt to recreate porous artefacts that have been recovered in Brittany, France. The original axe-ingots are considered to be Irish copper metalwork from the Early Bonze Age. However, these artefacts are not finished objects and are poorly cast. This nevertheless appears to be deliberate because...

Experimental Archaeometallurgy of Early-Middle Bronze Age Cyprus: Pilot Experiments of Copper Smelting at Pyrgos-Mavroraki

Marco Romeo Pitone (UK)
10th EAC Leiden 2017
***Pyrgos-Mavroraki, an early 2nd millennium BC proto-industrial settlement, is an excellent case-study on which to apply experimental archaeometallurgy because it presents many different elements connected to the chaine-operatoire of copper metallurgy, typical of Early/Middle Bronze Age Cyprus...

An Experimental Diachronic Exploration of Patination Methodology of Dark Patinated (Arsenical) Copper Alloys on Case Studies from the Eastern Mediterranean Bronze Age and Early Iron Age

Marianne Talma (DE)
10th EAC Leiden 2017
***Artificially patinated copper alloys are found archaeologically in polychrome artefacts from the 19th century BC Egypt to historical and contemporary Japan. The unusual colour variations observed in these patinas, ranging from black to blue to purple, is due to a minor amount of gold (Au) and silver (Ag) in their copper matrix, whereas...

The Colour Palette of Antique Bronzes: An Experimental Archaeology Project

Jonathan Devogelaere (FR)
Bronze is an alloy of copper and tin, with lead also added. Hellenistic and Roman bronze objects have a variable percentage of metals, and because of this the colour of the alloy will differ depending on the proportions. The colour of the alloy can be maintained by polishing, but it is also possible to give a patina to the surface of bronze using a reagent...

Copper

A soft reddish-brown metal (Cu).

Copper + Tin + People: Public Co-Smelting Experimentation in Northwestern Iberia

Aaron Lackinger (ES)
7th UK EA Conference Cardiff 2013
***In the present paper an experiment made in north-western Iberia for producing bronze using local ores and similar techniques to those perhaps practiced by the ancient prehistoric metallurgists during Bronze Age is described...

Anatomy of Prehispanic Bells - Study of an Ancient Lost Process

Raúl Ybarra (MX)

The elaboration of bells in the Prehispanic Era was of great importance due to the special meaning attributed to them in religious ceremonies. Today, knowledge of the techniques that were used in their fabrication is scant and lacking in detail. For that reason, the objective of the present study was to carry out a morphological study of bells from western Mexico...