textile

Conference Review: A Weekend in Leiden: Knitting History Symposium, 2019

Christine Carnie (UK)
This Conference was organised by the TRC Leiden and the Knitting History Forum in Leiden. On the 2nd of November 2019 I had the opportunity to visit Leiden to take part in the Knitting History Symposium. What follows are my notes and observations and therefore may not accurately reflect what was said. I am very much hoping that the different papers will with time be published and made accessible...

Book Review: With One Needle: How to Nålbind by Mervi Pasanen

Emma Boast (UK)
In the modern world currently, there is an interest in and desire to understand ancient craft technologies, along with learning the practical side of these skills. Nålbinding is a craft which has been taught and demonstrated for the last 50 years, mainly within heritage and re-enactment communities. The cultural and social history of this craft has survived as a narrative better in some countries than others...

Working with Artisans; The ‘It Depends’ Dilemma

Christina Petty (CA)
We live in a world where scientific method is both the expected and accepted path to knowledge. With any scientific method, experiments based on detailed, well-documented, well-considered theories, and precise set-ups must be replicated exactly by others who come to the same conclusion to consider the information gleaned from them to be valid. This has become the accepted practice for most...

Replication of a Maori Ethnographic Textile Hem Border Pattern

Lisa McKendry (NZ)
11th EAC Trento 2019
***Replication of archaeological and ethnographic Māori textiles, under the direction of customary knowledge and previous practical experience, can provide a more nuanced understanding of the manufacture of taonga (treasures) made from fibre materials. A case study is presented here from the unique perspective of a weaver who...

The Contribution of Experimental Archaeology in Addressing the Analysis of Residues on Spindle-Whorls

Vanessa Forte (UK),
Francesca Coletti (DE, IT),
Elena Ciccarelli (IT) and
Cristina Lemorini (IT)
11th EAC Trento 2019
***This contribution focuses on residues developing on spindle-whorls during spinning. Such a kind of tools is largely diffused in archaeological contexts where spindle-whorls were used in textile activities or deposited in burials as grave goods. Scholars recently approached...

Book Review: A Handbook for Men's Clothing of the Late 15th Century by Anna Malmborg & Willhelm Schütz

Jens Börner (DE)
Although there is a wide variety of publications about costume history and of single archaeological sites with textile remains of period clothing, the number of books that interdisciplinarily cover the fashion of past eras in the context of different source categories is, frankly, really small. Some attempts to draw a complete image of medieval fashion simply fail just because of the scale of it; others try to...

Book Review: A Handbook for Women's Clothing of the Late 15th Century by Anna Malmborg & Willhelm Schütz

Thit Birk Petersen (DK)
Medieval re-enactment, especially late 15th century, has become increasingly popular during the past 15-20 years and it seems like the growth will not stop anytime soon (unless the Viking re-enactment takes over as a consequence of the popular culture and mainstream focus – but that is another discussion). The book is part of a series ''Historical Clothing From the Inside Out'' from different historical periods...

Textile Textured Silver Ingots: A Technical Investigation into how these Textures came to be on some Viking Hoard Ingots

Dave Meyers (US)
The ‘West Coast Cumbria’ hoard, discovered in 2014, is a late ninth/ early tenth-century Viking silver hoard, housed at the Beacon Museum, Whitehaven, UK. It is composed of 20 Viking silver objects: bar-shaped ingots and ornaments, in various stages of fragmentation (PAS ‘Find-ID’ LANCUM-FA14C8). One, complete ingot (museum no. 2016.162.5) bears coarse cloth-impressions on its upper surface...

Prehistoric Dressing for Third Millennium Visitors. The Reconstruction of Clothing for an Exhibition in the Liptov Museum in Ruzomberok (Slovakia)

Kristína Urbanová (CZ)
There can be various reasons for reconstructing clothing for museum purposes. The most frequent one, as in the case of this paper, is to improve and liven up an exhibition with 3D models (Hendszel et al., 2008), which present the fashion culture of individual periods, nationalities or specific regional features to the general public...