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Mixed Matters

The Bronze Casting Festival at the Bronzezeithof, Uelsen, Germany

Giovanna Fregni (UK)
The first Bronze Casting Festival was held in May 2017 at the Bronzezeithof in Uelsen, Germany. The event was organised by Martijn van Es, who has an active interest in bronze casting and experimental archaeology. A call was put forward to skilled metal workers to come to Uelsen to conduct experiments and...

EXARC visits Moscow

Milica Tapavički-Ilić (RS) and
Artūrs Tomsons (LV)
Between the 1st to the 12th of June 2017, a huge festival called "Times and Epochs" (Времена и эпохи - Cобрание) was organized in Moscow. This was the occassion to gather participants not only from Russia, but also from many other countries, and demonstrate the best of reenactment to festival visitors...

Review: European Textile Forum 2016

Heather Hopkins (UK)
The annual European Textile Forum took place from 7-13 November 2016. This year the focus was ‘mistakes’, the unintended consequences in textile manufacture or preservation that reveal more about the artefact, the techniques used and its makers than a ‘perfect’ piece could do. The programme was rich in practical experiments..

Academic Workshop on Re-enactment, Replication & Reconstruction

Roeland Paardekooper (NL)
In early June 2017, an academic workshop took place in Leiden, the Netherlands, to stimulate research bridging the natural sciences with the humanities and social sciences. Forty-five international scientists joined from the fields of art history, archaeology, conservation, musicology and anthropology...

Book review: The Arte Militaire. The Application of 17th Century Military Manuals to Conflict Archaeology by Warwick Louth

Thit Birk Petersen (DK)
The book consists of the rewritten essay of a master thesis. The author got his master's degree as a battlefield and conflict archaeologist from the Centre of Battlefield Archaeology at University of Glasgow founded by Professor Dr. Tony Pollard in 2006. I myself have studied at the Centre of Battlefield Archaeology back in 2007, and it was a pleasure to dive back into my old field...

Book Review: Forensic Archaeology: The Application of Comparative Excavation Methods and Recording Systems by Laura Evis

Ceilidh Lerwick (USA)
This book is a rewrite of Evis’ PhD thesis compiled between October 2010 and March 2014 at Bournemouth University (University of Exeter 2017). The study was an evaluation of the archaeological excavation methods and recording systems used in the United Kingdom, Ireland, Australasia and North America...

Conference Review: Fields of Dreams - An overview of the EAC10 conference, Leiden, 20th to 22nd April 2017

Rena Maguire (UK)
In recent years, experimental archaeology has increased in popularity among academics and students alike due, in no small part, to pioneering universities such as Exeter, University College of London, Leiden and University College of Dublin...

Experimental production of high and late medieval pottery at the scientific research centre in Panská Lhota

K. Těsnohlídková,
K. Slavíček and
J. Mazáčková
Experimental pottery production at the scientific research centre of the Institute of Archaeology and Museology at the Masaryk University Faculty of Arts (from here on ÚAM) in Panská Lhota began in the summer of 2012. The primary target of the experimental pottery production was an attempt to understand the manufacturing process...

What to blame for the atmosphere change in re-enactment camps? Personal view

Rona Kreekel (NL)
Lately, I have been seeing quite a few posts by friends announcing that they are quitting the Viking Re-enactment hobby. This is sad and worrisome. Apparently, the reasons for leaving are due to a lack of authenticity, show fight, and atmosphere.

Book Review: Representation of the Past in Public Spheres. Experiencing the Past: the Reconstruction and Recreation of History at Colonial Williamsburg by Martine Teunissen

Evelyn Fidler (CA)
When I read the title, I particularly looked forward to reading this book and I was not disappointed. I am glad I was allowed to review it. Colonial Williamsburg has been held up to me as an example to follow when interpreting in living history and open air museums and also criticised when they don’t get it right...

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