Mixed Matters

In October 2018, a conference took place in Southern Poland. It was attended mainly by people from Poland and Slovakia, but also included several EXARC members from abroad. The conference was titled “Archaeological Open-Air Museums: Reconstruction and Reenactment – Reality or Fiction?” which is also the title of this book which was published in 2022...

The Marche region in central Italy hosts quite a number of archaeological museums, containing a wide range of specimens and collections that cover a time span from the Palaeolithic onwards. From Stone Age votive statues to Iron Age weaponry, from Greek and Celtic luxurious jewellery and pottery to unmatched Roman finds; local museums preserve a huge variety of specimens that are of great ...

The Scottish Crannog Centre, an open-air museum on Loch Tay in Highland Perthshire, has been able to do some really meaningful, powerful work over the past 12 months focusing on the power of prehistoric pottery! Supported by the Esmee Fairbairn Collections Fund and the Headley Trustand Art Fund, the project has led to new relationships, a new strategic partner for the organisation and ...

The time of change, the time of choice came to Ukraine with the beginning of the war. We had to set vectors and priorities in all spheres of life. Science, culture and, in particular, open-air museums were no exception. First of all, we faced the issue of the protection and preservation of museum collections...

Denmark has a long tradition in educational activities in reconstructed environments. Lejre, Sjælland is one of the oldest examples, but by now the country has over 25 smaller and larger education centres where school children learn about the archaeological past. A number of these sites are also open to the public. You will be able to find most of them via https://exarc.net/venues.

Open-air museums host much cultural heritage data. You can find them in archival records, photos, video, and the minds of people. These data are at risk of being lost. This is where RETOLD comes in, a European Project (Creative Europe Program) with six partners working together on a solution.

The difficulties I face in my work are the same that all people in Ukraine live with: interruptions to the supply of electricity and communications and complicated logistics. This affects both education and causes difficulties in planning and holding public events. The biggest problem in terms of professional activity at the moment is the impossibility of ...

The Europeana 2022 conference on the theme “Making Digital Culture Count” was held 28-30 September 2022 in the Hague (NL) and online. The three day conference was filled with presentations and lively discussions on current initiatives, planned projects, and contemplating the future direction for Europeana and those using or contributing to it...

On January 20, the INRAP, overall coordinator of the European Archaeology Days (EAD), invited the national coordinators as well as several partners of the event at the UNESCO in Paris for a day of get-together and discussions. 19 countries were represented during the Forum, with the participation of 26 national coordinators. Lygeri Papagiannaki represented EXARC...

Introduction

Delayed by the pandemic, the 2022 event was organised with the support of the local community, the Ephorate of Antiquities, and the re-enactment group ‘Hoplologia’ lead by Christian Cameron.  Using re-enactors to commemorate their Classical history was, for a variety of political and religious reasons, an important step for the Greek authorities to take. Christian gathered around ninety very experienced and passionate re-enactors and reconstructors in Plataea from at least eight different counties, at their own expense.