Newest Era

Dr Jeyhun Eminli

Member of EXARC since
Country
Azerbaijan
Crafts & Skills
  • Institution: Institute of Archaeology and Ethnography, Azerbaijan National Academy of Sciences.
  • Position: Leading researcher, Councillor on foreign affairs, Head of Southern Azerbaijan Antique Expedition.

Katharina Detreköy

Member of EXARC since
Country
Switzerland
Crafts & Skills

The point of my interest is Northeast Greenlandic archaeology: Independence, Saqqaq (a settlement in Western Greenland), Dorset culture (a Paleo-Inuit culture, lasting from 500 BC to between 1000 and 1500 AD).

Historical European Martial Arts (HEMA) and Reenactment - Concept, Problems, Approaches in Our Experience

Author(s)
Gábor Fábián 1
Publication Date

There are several reasons why this is so. First of all, re-enactment itself started with the recreation of battles; the tradition goes back all the way to the Roman Empire (for example the naumachia scene during the opening of the Flavian Amphitheatre)

Archaeological Live Interpretations, Docu-Soaps and Themed Walks: Similarities and Differences

Author(s)
Sarah Willner 1,
Stefanie Samida 2 ✉,
Georg Koch 2
Publication Date

Introduction

For many years, the public has become increasingly aware of historical and archaeological topics, a phenomenon to which large-scale and well-attended exhibitions, so-called ‘medievalmarkets’, the continual success of historical TV-documentaries, and a booming market in specialized books and magazines may attest. Living history formats on television or historical docu-soaps also attract millions of viewers (see, for example, Schwarzwaldhaus 1902, SWR 2002; SteinzeitDasExperiment, SWR 2007).

Interpreting the Interpreter: is Live Historical Interpretation Theatre at National Museums and Historic Sites Theatre?

Author(s)
Ashlee Beattie 1
Publication Date

Presenting the Discussion

The majority of the people Scott Magelssen interviewed were museum curators and historical interpreters, and their answers were broken up into three main categories:

1. No (mainly because there is no script), 2. Yes, it is a form of theatre, 3. Of course it is theatre. (Magelssen 106-119)

Book Review: Communication Strategy–Strategic Public Relations for Archaeological Open-Air Museums by M.A. Zielinska and R.P. Paardekooper

Author(s)
Rikke Olafson 1,2
Publication Date
How a museum communicates to its audience has changed significantly in the past decades. With the introduction of the Internet and the creation of social media sites such as Facebook, Twitter and Instagram, social media has become an integrated part of the everyday life of the majority of museum visitors...

Conference Review: Reconstructive & Experimental Archaeology Conference REARC 2013

Author(s)
David Wescott 1
Publication Date
REARC Conferences
***This article is republished from the Bulletin of Primitive Technology #46. The 4th Annual Reconstructive and Experimental Archaeology Conference was recently held in Gastonia, NC at the Schiele Museum of Natural History. The conference theme was Education and Reconstructive and Experimental Archaeology...

From Mead to Snakebite - An Ethnography of Modern British University Sports Team Drinking Culture and its Parallels with the Drinking Rituals of the Viking World

Author(s)
Matt Austin 1
Publication Date
7th UK EA Conference Cardiff 2013
***The idea for this paper came, as these things often do, in a bar. The interesting twist was that instead of being an inebriated patron, I was actually working behind the bar observing the scenes of intoxicated students with a bemused expression. What began as a joke...