Interpretation

Spiral Tube Decorations: a Thousand Years of Tradition

Author(s)
Riina Rammo 1 ✉,
Jaana Ratas 2
Publication Date
An overview of finds, their regional spread and significance though the ages. The spiral tubes are made of an alloy that consists of copper supplemented mainly with zinc and/or tin (Rammo, Ratas 2015, table 1). The outer diameter of the spiral tubes usually range from 2.5 to 5 mm. Woollen and linen threads as well as horse hairs, were used to join spiral tubes into decorations...

The Value of Experience: Lessons from a Study of Reenactment

Author(s)
Samantha Hartford 1
Publication Date
It is no secret that in many ways experimental archaeology overlaps with what has come to be called experiential archaeology, an interpretive and humanistic approach to the past. As a result of drawing distinct lines between the two, experimental archaeology struggles with its conception of itself, and experiential archaeology is poorly studied.

What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting

Author(s)
Marc van Hasselt 1
Publication Date
OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...

Museum Theatre in Greece: Perspectives in Site Interpretation

Author(s)
Foteini Venieri 1,2,3 ✉,
Niki Nikonanou 4
Publication Date
The paper summarizes preliminary findings of a research project on the use of museum theatre in Greek open-air sites, as a part of a PhD thesis. The research focuses on the exploration of the development, use and function of museum theatre in Greek open-air sites based on available secondary resources and primary research, which...

Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

Author(s)
Jelena Anđelković Grašar 1 ✉,
Milica Tapavički-Ilić 1
Publication Date
OpenArch Special Digest 2015 Issue 2
***During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or...

Putting on a Show - The How and Why of Historical Shows and Theatre in a Historical Setting or Theme-park

Author(s)
Jaap Hogendoorn 1 ✉,
Erik Collinson 2
Publication Date
As long as people have walked the earth, stories have been told; from stories around the campfire told by older people to entertain and educate the young, to 15th century knights dressing up as Romans during themed tournaments. Telling a story is putting on a little show; a show is a great way to tell a story... Including Spartacus in Archeon by Erik Collinson

Historical European Martial Arts (HEMA) and Reenactment - Concept, Problems, Approaches in Our Experience

Author(s)
Gábor Fábián 1
Publication Date
2013 EXARC meeting at Csiki Pihenökert (HU)
***Throughout the history of re-enactment and in general efforts to revive or recreate the milieu of bygone ages, the military aspect of lifestyle has always enjoyed a special status-one might even say that the military stand point is a predominant part of many re-enactments...

Archaeological Live Interpretations, Docu-Soaps and Themed Walks: Similarities and Differences

Author(s)
Sarah Willner 1,
Stefanie Samida 2 ✉,
Georg Koch 2
Publication Date
2013 EXARC meeting at Csiki Pihenökert (HU)
***Since the 1990s, experience-oriented historical communication has been steadily increasing. Yet in-depth research of forms of historical representation and acquisition such as museum theatre, themed walks, or time travel within docu-soaps has remained minimal...

Interpreting the Interpreter: is Live Historical Interpretation Theatre at National Museums and Historic Sites Theatre?

Author(s)
Ashlee Beattie 1
Publication Date
2012 OpenArch meeting at Foteviken (SE)
***In his 2007 book, Living History Museums: Undoing History through Performance, Scott Magelssen describes the various reactions to his main line of enquiry: is historical interpretation theatre? The majority of the people he interviewed were museum curators and historical interpreters...