Neolithic
Leo Wolterbeek
My work has always been about love for nature and the outdoors. I grew up on one of the oldest organic-dynamic horticulture companies in the Netherlands, Sloterland, and received love for nature from early start.
Historia Mundi
This event is unique in its kind. It only happens once a year in Belgium that all historical associations are assembled under the cover of a multi-period camp.
Maria-Louise Sidoroff PhD
For over thirty years I have investigated the techniques of traditional modern potters. I use the information in technological analysis of prehistoric ceramics as I worked with directors of archaeological excavations earlier in Israel and Peru and now in Jordan.
Obituary: Peter Kelterborn (4 July 1928 – 9 March 2017)
Conference: Archaeological Open-Air Museums: Reconstruction and Reenactment – Reality or Fiction?
The Subcarpathian Museum of Krosno and its branch, the Carpathian Troy Archaeological Open-Air Museum at Trzcinica, Poland, are organising an International Conference entitled “Open-Air Archaeological Museums: Reconstruction and Reenactment – Reality or Fiction?” which will be held on 18 and 19 October this year.
Beyond School - Workshops in Experimental Archaeology at the Museum (Romania)
Workshop Leather tanning
Did you ever wonder how to make buckskin? Want to try it?
In this 3 days workshop you will make a beautiful piece of leather out of a raw deer skin all by yourself!
‘Re-rolling’ a Mummy: an Experimental Spectacle at Manchester Museum
Introduction
The unwrapping and dissection of mummified bodies was a common practice in 19th century Europe. These autopsies were conducted as part of scientific endeavours and social spectacles, motivated by a desire to advance the fields of science, medicine and archaeology, coupled with a sense of macabre fascination (Moshenska, 2014). The scientific capability required to study mummified remains non-invasively had yet to be developed, leading to the destruction of many hundreds of specimens.
The Forgotten Movement – A (Re)construction of Prehistoric Dances
However, after studying archaeological artistic depictions, historical descriptions and contemporary ethnographic examples as the main research sources for the history of dance and dance movement and its development in the context of early human history, we created a conceptual reconstruction of prehistoric dances. It was presented in the form of an educational dance performance with the goal of presenting the archaeological heritage through a possible vision of dances and dance movements from a number of selected prehistoric periods: Neolithic, Chalcolithic, and Bronze Age.