Experimental Archaeology

Two Reconstructions of Prehistoric Houses from Torun (Poland)

Author(s)
Grzegorz Osipowicz 1 ✉,
D. Nowak 1,
Justyna Kuriga 1
Publication Date
In 1998 the Society for Experimental Primeval Archaeology (SEPA) was founded at the Institute of Archaeology at the Nicolaus Copernicus University (NCU) in Toruń. Since its beginnings, SEPA members have dedicated a great effort to engaging in numerous scientific experiments with the aim to present human lifestyle in prehistoric times in general...

Get into the Grave: Notions of Community Social Identity in a Late 3rd Millennium Site, Derived from an Experimental Carving of a Shaft Tomb at Ramat Bet Shemesh (Israel)

Author(s)
Yoav Tsur 1,
Nofar Kahalani 1,
Yitzhak Paz2 ✉,
Roi Nickelberg2
Publication Date
Khirbet el-Alia is a large mound, located north-east of Tel Yarmouth, in the Ramat Bet Shemesh region of Israel. An excavation that was conducted north of the mound revealed the remains of a settlement and an adjacent cemetery of shaft graves, dating back to the Intermediate Bronze Age (IBA)...

The Iron Age Iberian Experimental Pottery Kiln of Verdú, Catalonia, Spain

Author(s)
Ramon Cardona Colell 1 ✉,
Josep Pou Vallès 1,
Noelia Calduch Cobos 2,
Borja Gil Limón 2,
José Miguel Gallego Cañamero 2,
Laia Castillo Cerezuela 1
Publication Date
The goal of this project is to reconstruct the operational sequence of manufacture of Iberian Iron Age pottery, from clay procurement to firing in a reconstructed kiln. Although pottery is the most characteristic artefact recovered on Iberian Iron Age excavations, most of its complex processes and production techniques remain poorly known...

An Experimental Comparison of Impressions Made from Replicated Neolithic Linen and Bronze Age Woolen Textiles on Pottery

Author(s)
Lewis Ferrero 1
Publication Date
Textile impressions on pottery provide evidence for fabrics and weaves in areas where the fabrics themselves do not survive. This article argues that the impressions can provide information on the uses of different fibres, the weaving technologies and possible trading or agricultural advances connected with these fibres...

Investigating the Influence of the Kettle Material on Dyeing in the Industry of Pompeii

Author(s)
Katrin Kania 1 ✉,
Heather Hopkins 2,
Sabine Ringenberg 3
Publication Date
7th UK EA Conference Cardiff 2013
***Dyeing, especially in bright, intense colours, has been one of the methods used to embellish textiles and add to their value. A considerable dyeing industry can be shown to have existed in Pompeii. The city of Pompeii was destroyed in a volcanic eruption in AD 79, but its remains were preserved in situ...

An Experimental Approach to Studying the Technology of Pottery Decoration

Author(s)
Golnaz Hossein Mardi 1
Publication Date
8th UK EA Conference Oxford 2014
***The early Middle Chalcolithic pottery tradition of Seh Gabi Tepe in Iran is called Dalma tradition. Among the different types of Dalma pottery, I have focused on monochrome painted ceramics, to investigate, by means of experimental analysis, how their decoration technology was undertaken...

Stone Tools of Shetland: Experimental Felsite Project

Author(s)
Brendan O’Neill 1 ✉,
Bernard Gilhooly 1,
Gabriel Cooney 1
Publication Date
8th UK EA Conference Oxford 2014
***The Shetland Islands are the northernmost part of Britain, located northeast of the Orkney Islands and Scottish mainland. Similar to other locations in northwest Europe, during the Neolithic Period (4000-2500 cal BC) suitable lithic sources were exploited for use in the production of stone axes and other artefacts...

To Use or Not to Use a Minoan Chisel? Ancient Technology in a New Light

Author(s)
Maria Lowe Fri 1
Publication Date
7th UK EA Conference Cardiff 2013
***The Minoan chisel is thought to have been used by the metal worker, the stone mason, the sculptor, the carpenter, and the ivory and bone worker. However, barely any work has been conducted to substantiate the different workers and their chisels...

Reproducing the Wall Painting of the Abduction of Persephone (Vergina-Macedonia): Conditions and Restrictions for a Successful Archaeological Experiment

Author(s)
Manolis I. Stefanakis 1,
Αntonis Vlavogilakis 2
Publication Date
Research on the technique of fresco painting in Macedonian tombs of the late classical period, is currently in progress through the experimental reproduction of the mural the Tomb of Persephone in the Grand Tumulus of Vergina. The purpose of the research is to identify the techniques used by ancient craftspeople, their tools, materials and ...