EXARC Journal - Latest Articles

What Does Your Visitor Experience? Making the Most of Live Interpretation in a Unique Setting

Author(s)
Marc van Hasselt 1
Publication Date
OpenArch Special Digest 2015 Issue 2
***Archaeological Open-Air Museums (AOAM) offer a unique setting in which live interpretation can make history come truly alive. For many, or perhaps all, AOAM history is the product being sold to the public. During the five years the OpenArch project has run the partners have spent many hours discussing the...

Conference Review: Managing Archaeological Open-Air Museums: Current Issues, Future Trends

Author(s)
Roeland Paardekooper 1
Publication Date
OpenArch: In late May 2015, St Fagans National History Museum in Wales organized a three day meeting in and around Cardiff for OpenArch. This is a European Culture Project with 11 partners that work to improve archaeological open-air museums. The first day of the meeting was a conference on issues and trends in archaeological open-air museums...

Field Trials in Neolithic Woodworking – (Re)Learning to Use Early Neolithic Stone Adzes

Author(s)
Renger Elburg 1 ✉,
Wulf Hein 2,
Anja Probst-Böhm 3,
Peter Walter 4
Publication Date
OpenArch Dialogue with Skills Issue
***Excavations of several Early Neolithic wells with excellent preservation of the wooden lining in the past years have made clear that Stone Age woodworking already attained a very high level of perfection. This poses the question how it was possible to execute this type of work with the means available at that time...

Making Wine like Iberians: a Learning Experience with the International Workcamp at La Ciutadella Ibèrica of Calafell

Author(s)
Manel Gómez Gutiérrez 1
Josep Pou Vallès1,
O. Saura 1
Publication Date

The international workcamp in Calafell

The workcamps in Calafell are coordinated by the Fundació Pere Tarrés, a non-profit organisation of social action devoted to the promotion of leisure education and volunteering among other objectives, and the municipality of Calafell is one of the organisations that support these workcamps. So far La Ciutadella Ibèrica has held three of these projects (2010, 2012 and 2013) with international volunteers being the core theme of the activity.

Museum Theatre in Greece: Perspectives in Site Interpretation

Author(s)
Foteini Venieri 1,2,3 ✉,
Niki Nikonanou 4
Publication Date

Introduction

Museum theatre as an umbrella-term is used to describe a variety of performative events aimed to interpret fragments of cultural heritage. In the framework of one of the main challenges contemporary museums face, that of having a social impact while dealing with heritage, whom values and narratives can always be “contested and disputed” (Smith 2011, 70), museum theatre has proved that not only can it enforce a constructivist approach in a museum environment but it can also generate debate and promote critical thinking on controversial issues (Farthing 2010).